Pikachu again?

Nice!

Thanks, good if you felt sad sorry for the hastyness, my fade-out deserved more love. Actually I did not want to play the whole loop, just to intend the idea that the song can repeat itself. I'll keep this in mind next time. Do you have any tip on how to build better fade-outs ? For the fade-outs, ...

I do not know if any third-party software can be connected to LMMS.

The snare snapping hard on a slow tempo always makes me a good effect :D Did you try to put a C * Narrower on the main bass? (0 = no change, 1 = mono) This allows you to control the stereo width. Well I definitely like that effect (usually) :P I've not tried anything like that as of yet but I'll lo...

Hello ! I decided to play again with that Nescaline set. Again a haunting tune that could fit in some sort of solemn cinematic in an old-school game ^^ Enjoy ! https://soundcloud.com/marvin-shmn/walking-through-nothing A bit sad :cry: The fade-out at the end of the track, on the last notes sounds h...

Nice project, I like the emotional-passionate side. Do you plan to extend it?

i agree with Gps.

The kick that appears at 02m16s lacks impact (like the relaxed skin of a drum).

I guess it's a dance-oriented track, so I find that the kick-driven parts are too short.

You're welcome!

Sorry, I do not understand the meaning of the word "asset".

I did not mention that I appreciate your tracks. When I wrote that they would generate in me a restricted range of emotions, it was more a statement than a criticism. It made me think of the notion of variation on a theme found in painting for example: https://fineartamerica.com/featured/still-life-...

Basically, there are technical reasons related to the support (eg the vynil), the diffusion mode (the clubs often broadcast in mono), psychoacoustics (the low frequencies are not very directional), and other reasons that I do not know. I do not think that the musical genre is part of the explanation.