Yes, I'm exaggerating ...

I think it's kind of sad that you don't want your users to have privacy. It is not advisable to make a judgment of intent after a request for assistance, especially when aid has not yet been provided. It is not because a function is absent that there is a will or a lack of will of ... directed agai...

Hey! Yesterday I listened to your tracks with headphones. Now I listen to what comes out of the speakers. Well, that's just my appreciation: - in the first version, I find that there is too much reverb in the voice. - in the second version, I find that a very little bit of reverb is missing in the v...

Philipmayhew wrote: ↑

Mon Jul 17, 2017 7:10 am

export files midi how lmms to in

As far as I know, in LMMS 1.1.3, there is no option to export a midi partition.

The temptation to boost the bass is strong (especially with small and cheap speakers). You have to resist! Amen.

The red zone on the master channel should be avoided. On any other channel, this is not a problem.

With AudioFileProcessor , in the PLUGIN tab: 1) you can adjust the length of the sample via the "start of playback of the sample" and "end of playback of the sample" knobs (I use the French version of LMMS, it is possible that my translation of the name of the knobs is wrong). 2)...

For a summary in English, the problem is not solved (I have misunderstood it).

So if someone is suceptible to respond to Nintoman's request ...

La procédure que j'ai indiqué vous permet de contrôler la vélocité de la frappe sur les touches/pads de votre clavier. Exemple : si vous voulez contrôler le TripleOscillator avec votre Akai, et si vous voulez contrôler la vélocité de frappe, ça se passe dans l'onglet MIDI du TrpleOsc. Là, il faut co...

I just reviewed this track in Audacity, and I do not see any trace of the problem I raised in my previous comment ... I was wrong about topic. So, just a word of encouragement ... I just re-listen to this track that I transferred on my sound system, I like the density of the track. I did not listen ...