This is Part 27 of A guide to mixing music. See also the previous and following parts:

http://en.audiofanzine.com/getting-star ... press.html


About your track, I think it's a good start.

At one point it was the possibility to record your own voice (this is why I asked)

For the tag, maybe : LMMS, remix, electronic?

Hi!

Yes! Nice track!

I don't have concrete advice to give, I don't know how, but I think you can push this track further, to give it a stronger impact.

To stay motivated

Hi!

For choirs, what solution have you adopted?

Hi!

I like Reminiscence, nice track, nice atmosphere.

Dots On Something interests me less, but it works well.

I like Helicopter. However, with cheap headphones, I find the left / right movement of the bass a bit too fast for me.

Also, you're welcome

If this can help you: https://polyphone-soundfonts.com/en/

Note: I have never used it, but it seems nice.

ophbeat wrote: ↑

Mon Jul 31, 2017 10:09 pm

D.Ipsum wrote: ↑

Mon Jul 31, 2017 10:15 am

ophbeat wrote: ↑

Mon Jul 31, 2017 6:32 am

I suppose the meaning of the title is what you make of it...

I was far away

https://imgflip.com/i/1tdeq9 ... ;P

Or "truth is stranger than fiction"
(I prefer the french version "la réalité dépasse la fiction")

These are structured incredibly well, but as many have pointed out, they lack all of the standard tonal rules that are typically in place. That is what intrigues me. It reminds me something like "It took me four years to paint like Raphael, but a lifetime to paint like a child." (P. Picas...

I only listened with cheap headphones, it's certainly different with speakers.

Just one point of view, you can think in terms of contrasts (tone / atonality, high / low volume, long / short notes, long / short sentences, sound / silence, listeners' expectations or not, etc.) .