Heyo' folks, much as I hate havin' to be back in the troubleshooting department again since having to deal with VST issues (and later dealing with the transparent piano-roll glitch personally), this has been something that has been irking me since the first time I started using this program since about the start of this spring.
I've got a boatload of wav. files and such that I've been gathering to use, whether it's good samples from Freesounds or something far more specific like the Sonatina Symphonic Orchestra pack, and by now I've got what amounts to a decent sized orchestra and such under my belt. However, the implementation of them into LMMS has been a little...iffy. Obviously when the entire sample is inserted into the role, it plays fine, but cutting down the sample creates a sort of annoying pop or crackle at the end of the shortened/edited note. Frankly I can sorta' understand why it does it, but it drives me nothing short of insane. The most I can think is utilizing the Automation tracks to fade-out the notes, but looking at how that works, that would likely be incredibly irksome, meticulous, and annoying. Is there some way that I can lessen this sorta' effect when I work with these sort of samples?
Now admittedly in spite of having used audio software to various degrees (like Audacity for some FX-editing, and using the midi-composition software Anvil Studios for a couple tracks), my audio knowledge, while having increased over the years, I still think is rather primitive. As such I'm hoping you guys might help provide some answers or at the very least some advice.
I've got a boatload of wav. files and such that I've been gathering to use, whether it's good samples from Freesounds or something far more specific like the Sonatina Symphonic Orchestra pack, and by now I've got what amounts to a decent sized orchestra and such under my belt. However, the implementation of them into LMMS has been a little...iffy. Obviously when the entire sample is inserted into the role, it plays fine, but cutting down the sample creates a sort of annoying pop or crackle at the end of the shortened/edited note. Frankly I can sorta' understand why it does it, but it drives me nothing short of insane. The most I can think is utilizing the Automation tracks to fade-out the notes, but looking at how that works, that would likely be incredibly irksome, meticulous, and annoying. Is there some way that I can lessen this sorta' effect when I work with these sort of samples?
Now admittedly in spite of having used audio software to various degrees (like Audacity for some FX-editing, and using the midi-composition software Anvil Studios for a couple tracks), my audio knowledge, while having increased over the years, I still think is rather primitive. As such I'm hoping you guys might help provide some answers or at the very least some advice.