I saw you found GO2 on my soundcloud, and yes quite happy about it.
Did you know Moby borrowed / stole / got inspired for the strings in the intro part by a twin peaks track ?
Moby Go
https://www.youtube.com/watch?v=o72NpKj0nxw
Busted, because this came before Go:
Twin Peaks Laura theme
https://www.youtube.com/watch?v=khMlcTE7lw8
The guy who made it.
https://www.youtube.com/watch?v=d_rbEthOdf0
About Dig it, thank you.
Not sure if the piano can be louder. Last night had a listen and found a problem. ( because of something musicbear said.)
The piano is totally over powering the off beat bassline.
For house this is a problem, because the bass line and drums need to be very ( most ) present, not the lead sound as in most music..
There needs to be a groove, and all else is only to hide its damn repetitive
Its not that we don't agree though. That piano louder was my first thought too.
But a forum called linux musicians told me to make the piano less loud, because it was louder then the drums and base.
It's possible I over did it though, because they have not heard this version yet, the version you commented on.
What I like about that forum is the type of feedback I get there.
They start to talk about saturation, compressors and that I need to use a spectrum analyser.
I used a saturate plugin on the vocal sample and that helped allot.
I also fell in love with the calf side chain compressor. Not for the obvious reason to have one sound duck, but because of that one dial, were you can make the sound you're pushing away louder.
That Linux forum might be less interesting for windows users, but linux LMMS users might find it usefull.
Some there take making music and mixing very serious, and some feedback I get there often ends with me googling, to find out what they are talking about.
Some also want met to not use LMMS but a real Daw.
Some don't consider lmms a real daw because it can't record live played music.
This argument is for me not relevant though. LMMS can record midi and that all I need.
And they still have failed to explain why I need to use a different daw.
Maybe one day I will switch, but only if LMMS becomes the limiting factor. If I find stuff I can't do with LMMS, that I can do with lets say ardour.
I also know a LMMS user , who kind of switched to Ardour.
Watch his you tube vids about lmms, great info there also for windows users. ( unfa )
In this vid he compares the two.
https://www.youtube.com/watch?v=l5vCpFHmRSY
Some also seem to make a track in LMMS, and then mix / master it in Ardour.
Ardour can't import lmms files though, so I am not sure yet on how they do this.
Import the midi data or import sound files, from the export function of LMMS.
In ardour you can automate all of zynaddsubfx though.
I am for now just waiting for lmms to do have lv2 support
I might be more optimistic then unfa on this.
( and automation on anything zasfx )
Did you know Moby borrowed / stole / got inspired for the strings in the intro part by a twin peaks track ?
Moby Go
https://www.youtube.com/watch?v=o72NpKj0nxw
Busted, because this came before Go:
Twin Peaks Laura theme
https://www.youtube.com/watch?v=khMlcTE7lw8
The guy who made it.
https://www.youtube.com/watch?v=d_rbEthOdf0
About Dig it, thank you.
Not sure if the piano can be louder. Last night had a listen and found a problem. ( because of something musicbear said.)
The piano is totally over powering the off beat bassline.
For house this is a problem, because the bass line and drums need to be very ( most ) present, not the lead sound as in most music..
There needs to be a groove, and all else is only to hide its damn repetitive
Its not that we don't agree though. That piano louder was my first thought too.
But a forum called linux musicians told me to make the piano less loud, because it was louder then the drums and base.
It's possible I over did it though, because they have not heard this version yet, the version you commented on.
What I like about that forum is the type of feedback I get there.
They start to talk about saturation, compressors and that I need to use a spectrum analyser.
I used a saturate plugin on the vocal sample and that helped allot.
I also fell in love with the calf side chain compressor. Not for the obvious reason to have one sound duck, but because of that one dial, were you can make the sound you're pushing away louder.
That Linux forum might be less interesting for windows users, but linux LMMS users might find it usefull.
Some there take making music and mixing very serious, and some feedback I get there often ends with me googling, to find out what they are talking about.
Some also want met to not use LMMS but a real Daw.
Some don't consider lmms a real daw because it can't record live played music.
This argument is for me not relevant though. LMMS can record midi and that all I need.
And they still have failed to explain why I need to use a different daw.
Maybe one day I will switch, but only if LMMS becomes the limiting factor. If I find stuff I can't do with LMMS, that I can do with lets say ardour.
I also know a LMMS user , who kind of switched to Ardour.
Watch his you tube vids about lmms, great info there also for windows users. ( unfa )
In this vid he compares the two.
https://www.youtube.com/watch?v=l5vCpFHmRSY
Some also seem to make a track in LMMS, and then mix / master it in Ardour.
Ardour can't import lmms files though, so I am not sure yet on how they do this.
Import the midi data or import sound files, from the export function of LMMS.
In ardour you can automate all of zynaddsubfx though.
I am for now just waiting for lmms to do have lv2 support
I might be more optimistic then unfa on this.
( and automation on anything zasfx )