Is it possible to bounce tracks or bounce tracks in place?

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In some other DAWs it's possible to create a new track by bouncing - i.e. recording audio or combining tracks into another track. It may also be possible to bounce in place, which I think replaces one of the tracks being bounced.

Is it possible to do this in LMMS? If so, how?

Perhaps this is not possible in LMMS, because of it's limited (if any) support for audio.
dave2002-lmms wrote:
Sun Jul 12, 2020 8:53 am
In some other DAWs it's possible to create a new track by bouncing
Is it possible to do this in LMMS? If so, how?
In a way it is..
You can export-stems
(iirc..)
In export menu, select export-as-tracks
Lmms will go over your project once for very track, and make each track an own wave/ ogg/ ....-file on disk,
Those you then have to import as soundfiles in a Sample-track

But you could also just let audacity record in solo-mode and then import that
Hi

That stems way seems a bit clunky. I know that sometimes for production purposes stems are the way to go, but sometimes one simply wants to mix a bunch of tracks down to just one track. That could be the whole set of tracks, or just the strings, brass, winds or percussion - for example. That is possible I think in many other DAWs, and some of them will even do this non-destructively. The export to Audacity method is OK, but then if one just wanted on track , the mixing would have to be done in Audacity - which raises the inevitable question once more - "Why didn't you just use Audacity in the first place?".

It is also possible in some DAWs to combine Midi tracks into a new Midi track I think, though obviously that might not work for all instruments, but sometimes that can be useful. The bounce out doesn't always have to be to audio, though perhaps it usually will be. Sometimes one is simply trying to make handling a lot of tracks more manageable, yet not losing the project or producing versions which are limited in CPU performance. For example, one might want to bounce the brass section to audio, but keep the original Midis or even separate audio tracks, for performance reasons. Then later on one might want to render the whole thing but this time not using the temporary bounced tracks - but here the rendering might not be done in real time - to avoid overloading the CPU.

OK - sorry - I'm being picky, but I've found things I do like in LMMS, and I keep hoping that it will do some of the things that other DAWs make possible, but keep coming up against walls to knock down.
dave2002-lmms wrote:
Sun Jul 12, 2020 7:47 pm
That stems way seems a bit clunky.
It is, especially because of the need for repetitive play-through.
What i think you may forget, it that you can create selections from your total project, by soloing one track, and then add only selected tracks to the soloed one. Then you record in Audacity !
You could have all percussion as one recording, and all strings as another. Those can then be used in Sample-tracks in the project
1.3 will have recording. But audacity does a fine job, while we are waiting for 1.3
I would like you to make detailed and well formulated requests for features that you know from other DAWs, and that you miss in LMMS.
You can do that here:
https://github.com/LMMS/lmms/issues/new/choose
Choose the Feature request-form
That is how lmms grows :)
Thanks for the comments. I'll try to make more detailed requests using the forms in future.

Doing the single track soloing might actually be a way to help the choir group which started me on this quest with LMMS, though I heard that actually one of the choir members has Logic, and will probably do the work.

I'm still wondering about very small time errors/time shifts, and if they can be adjusted in LMMS without a tedious round and round run between LMMS and Audacity.

The person who put up the original request also wants to "do" an orchestra recording, and now that I'm almost figuring out how to do it, that might be possible using the LMMS+Audacity combination. However, would there really be any point, as perhaps most of the work could be done directly in Audacity?

Thinks for a few moments ....

It would perhaps depend on work flows etc. If the score and a Midi version of the piece to be assemled are available, preliminary work could be done to pre-assemble a synthesised version, and then the actual recorded tracks could be patched in from each instrumentalist.

I don't know if LMMS would be flexible enough for that. If would depend on how flexible and spontaneous a performance were to be. If the intention would be to produce a rock solid (probably boring ...) performance with very regular time keeping, then it would work as a process. Also, I don't really know what the purpose of the constructive approach to "assembling" orchestral pieces might be - to advertise the orchestra, as a challenge, to keep interest during lockdown periods, to provide a means for members to practise etc.