Hmm so imma ask since I'm a beginner for 5 years and never improve lol
Am I really doing it right?
I do not really change the master chain vol and let it stay at 100. I heard that it is unconventional to change values of it.
To the end of master chain FX, the last plug in to receive signals are meter plugins (Voxengo SPAN, Youlean, LMMS' parametric eq for the overall visual analyzing of frequencies)
Before these plugins I would add a true peak multiband limiter to cap everything below 0 dB without causing distortions.
Also to add, the oscillioscope of LMMS (found at the top, above the cpu meter) is accurate at determining true peaks! ~ -0.5 db would mean orange and 1+ db would mean red.
Is adding a headroom sensible, even you are not forwarding your songs to mixing and mastering engineers? Like making it stay at always 70-75%
Or that headrooms should be created before proceeding to master the track and gain stage the mix? (If bedroom producer or not really having the budget to hire someone to engineer)
Am I really doing it right?
I do not really change the master chain vol and let it stay at 100. I heard that it is unconventional to change values of it.
To the end of master chain FX, the last plug in to receive signals are meter plugins (Voxengo SPAN, Youlean, LMMS' parametric eq for the overall visual analyzing of frequencies)
Before these plugins I would add a true peak multiband limiter to cap everything below 0 dB without causing distortions.
Also to add, the oscillioscope of LMMS (found at the top, above the cpu meter) is accurate at determining true peaks! ~ -0.5 db would mean orange and 1+ db would mean red.
Is adding a headroom sensible, even you are not forwarding your songs to mixing and mastering engineers? Like making it stay at always 70-75%
Or that headrooms should be created before proceeding to master the track and gain stage the mix? (If bedroom producer or not really having the budget to hire someone to engineer)