by
Gps » Sat Feb 27, 2016 3:03 pm
T0NIT0RMX wrote:Gps wrote:Funny how hard it is to make music that sounds so simple.

I had the same feeling when I started making my first song in LMMS,
It was meant to be handsup but I didn't manage to get that kick & bass of Handsup music which seemed so simple to get !
This is for me one of the reasons why I had quite some arguments with certain people over lmms.
They say: Lmms sucks, get fruityloops cubase or albeton. None of them know lmms though nor have they ever used it.
They judge lmms only on the sound and music I get out of it. When I point them to some of the best of lmms tracks, they go quiet.
I do not expect a free program as lmms to be just as good as cubase (or have all the same options), but my "problems" with making music, have nothing to do with lmms.
Slowly I am getting there, but I still have a big problem, that when I hear a song, I do not really have a clue how to do this in lmms.
Melody wise I am getting there, but drums and percussion wise, I still don't really know what I am doing.
The drums and percussion though, are very important, much more then I thought when I started making music. The melody is not really the part, that makes it trance disco or house, or what ever.
A nice example of whatI am trying to say:
A fifth - Walter Murphy ( Why is this disco/funk and not classical music ? although the melody part is 100% classical)
Its the percussion and bassline that makes it disco / funk, not the strings, nor the melody.
https://www.youtube.com/watch?v=4MFbn8EbB4k
Or maybe an even better example:
Hooked On Classics The Philharmonic Orchestra Special 12"Disco Mix Remasterd By B.v.d.M. 2012
https://www.youtube.com/watch?v=WX_2p-FMUIg