by
tresf » Tue Jan 20, 2015 3:08 am
For me, writing a song I am satisfied with takes about 20 hours of work
I know to some that might sound like a lot, but that really is only 3 or 4 weeks if you spend less than an hour every day. But it's strange, I feel that my best music comes in burst of inspiration, and the music i spend the most time with I am rather dissatisfied with.
How long does it take you to write a song?
The small bursts are a very good point. I'm glad you bring up this topic because the creative process can be disheartening.
To speak a bit on my own process, about 1 in every 10 tracks gains overwhelmingly positive peer review. We consider those tracks the "low hanging fruit" and go from there.
I agree, about 20 hours... Here's a break down:
- Original track - 3 - 4 hours
- Lyrics - 6 hour collaborative session - about 2 hours of actual production
- Melody/harmony progression - about 3 hours
- Vocal recording and editing - about 2 hours
- Tweaking - about 6 hours
- Finalizing/mastering - about 6 hours
I've only completed 3 tracks in my lifetime. One was a remix, two are originals. The first original was tremendously quick to produce, but from experience that is an exception to the process. As we work towards the "Best of LMMS #2", we're already about 7 hours in... this is a lot of work.
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Some major snags for us in regards to the amount of time...
- Compressors in LMMS aren't visual which makes them hard to use IMO (for vocals at least, I don't really do side-chaining yet)
- Lack of sample tracks make vocals hard to import. Lack of playing samples mid-sample force us to split samples up for easier alignment.
- Audacity is good and it is a free wave editor but switching between playback devices for recording (headphones) and previewing (studio monitors) seems to screw up productivity.
- Writing lyrics has proven to be extremely timely, mostly due to inexperience in writing them for an actual song. What works in our heads seldom works when sung, so this creative process is taking some time to get down.
- Without proper "live mode" withing the DAW, sometimes we find ourselves struggling to play around with variations. It takes a lot of patience and most musicians I work with simply don't work well with the LMMS mindset.
- When the software malfunctions, I find myself writing bug reports instead of continuing the composition. This can kill productivity too.
Things LMMS does better than other DAWs:
- Mouse/keyboard composition is pretty efficient out of the box. I prefer it to most commercial DAWs.
- The ability to preview so many instrument presets straight of the box is tremendously valuable. Having 100s of Zyn and 3xosc presets makes chosing and tweaking faster than any other DAW I've used.
- Once the keyboard shortcuts are learned, the song editor and piano roll editor are pretty efficient
- Built-in effects are pretty good and tremendously consistent once you learn them