Started with Major Chord just for learning new.
Really easy -> root note + 4 semitones + seven semitones.
Nescaline was first used because it is Chord affine compared to LB which isn't.
Continued with some sidechaining by the kick. This is difficult to make it fit to the rythm.
Then another Chord affine instrument was searched which turned to be out Triple oscillator.
TripleOsc with Arp is a good combination. I like Arpeggio a lot. Different rythm sounds sooo nice.
In the notes you can read my observation how Calf Multichorus works by hearing. Maybe this is completely wrong but tell me what you think about and if the description is good or bad. ( You are welcomed to tell the painful truth.)
This mix is how my tracks are normally starting. No samples, no presets.
The project notes inside:
compressor first decay then attack
calf multichorus -> min delay: overall shape of effect
mod depth: wetness of the delay
modulation rate: frequency hz complete effect
stereo phase: left mono, right stereo
voices: multiplies your input
inter-voice phase: somehow mixes the voices (noticible the more voices, add little bit stereo, subjectively
amount: wetness of complete effect (left is disable, turns off all modulators)
dry amount: turned completely off mutes the original input without amount
but if amount put higher only wet (effect only) sound is left
center frq 1: first frequency (low shoud be bass, high treble)
center frq 2: look above
Q: normally bandwith and in this case low Q turns center frq 1/2 up and high
Q turns it down resulting in more quiet loudness. If center freq1/2 is too present
you can smooth it turning Q to the right
Overlap: left is disabled and right turns the sound big with a bit stereo